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This is the event’s 48th year, making the Boston Sci-Fi Film Festival the longest running genre festival in the country.
This is a Marlowe movie trying too hard to be a Marlowe movie. But it doesn’t have the heart to succeed.
Ant-Man can no longer call out comic book movies for their bullshit because, as purveyor of prologue for the Marvel movies that will follow, the character is now too irredeemably full of bullshit himself.
As cultural critique, Curtis White’s Transcendent comes across as a modest if chilly yip of Zen resignation.
There’s still room for Brandon Cronenberg to grow as a horror director, but Infinity Pool should make his father proud. It’s a sensory nightmare of bodily dissociation and high class decadence that signals a promising start to 2023.
Circa has come up with a stunning way to combine the athleticism of circus training with the aesthetics of dance theater.
The Birth of Bop contains performances from some important participants in the bop revolution — Dexter Gordon, Stan Getz, Milt Jackson, Allen Eager, Fats Navarro, Max Roach, J.J. Johnson, and others.
As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
“I love music, I play every day,” John Lodge says. “I don’t want to let the audience down or myself or the members of my band. They give me 150% every night so I have to be physically and mentally right for them.”
The Persian Version and Eileen offer different takes on friction in the family.
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