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Television Review: “Dance Monsters” — Do the Monster Mash

December 21, 2022
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If dancing around as a giant CGI monster makes someone happy, then that is enough to make me happy. Let’s embrace what makes us different and do what we love. Read More

Book Review: How “The Waste Land” Was Won

December 21, 2022
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Poet and professor Jed Rasula makes the case for The Waste Land‘s lasting revolutionary impact in his engaging and insightful, if occasionally discursive, study.

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Book Review: “Reflectory: The Life and Music of Pepper Adams” — An Enigmatic Master

December 21, 2022
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It’s hard to imagine anyone producing a more complete and authoritative biography of baritone sax player Pepper Adams.

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Arts Feature: The Best in Popular Music 2022

December 21, 2022
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Our music critics pick some of the standout albums and performances of 2022.

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Theater Review: “Midwinter Revels” — Unity, “Behold How Good”

December 20, 2022
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At its core, the Revels is about bringing together actors and audience, but there are several stagecraft successes to note this time around

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Music Feature: The Best Jazz Albums of 2022

December 19, 2022
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The magazine’s jazz critics look back over the past year and highlight their favorite albums.

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Book Review: “The Value of a Whale” — Green Capitalism and the Limits of Market-Based Solutions

December 18, 2022
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In this valuable book, Adrienne Buller assesses the efficacy of leading market-based efforts to address climate change and nature loss and contends that they have largely failed.

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Visual Arts Feature: “Life of Pi” — Imagination by Design at The A.R.T.

December 18, 2022
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The most mesmerizing characters in this stunningly visual production are brilliant life-size puppets.

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Coming Attractions: December 18 through January 3 — What Will Light Your Fire

December 18, 2022
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As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.

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Film Review: “White Noise” — Toxic Prophecy

December 18, 2022
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By drawing on the insight and humor in Don DeLillo’s novel, Noah Baumbach manages to find (at least for me) affirmation and comfort in this portrait of the randomness of contemporary existence.

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