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In this novel Nana Kwame Adjei-Brenyah creates a terrifying future world. I’m glad that he chose to anchor that creation so powerfully in the shameful present.
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A reprint from 50 years ago, this small book brings to the English-speaking world a strategic introduction to the work of a major French poet of the twentieth century.
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Two documentaries at PIFF show how we got to where we are now.
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Nye Ffarrabas and others in Fluxus created intermedia events that pushed the boundaries of prevailing norms in painting, sculpture, poetry, music, architecture, and theater.
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Nathan Go’s debut novel is entertaining, emotionally resonant, and raises provocative questions about forgiveness, redemption, and love.
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This week’s poem: Jennifer Martelli’s “The Chain.”
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Bravo for the Boston Dance Theater’s decision to venture outside of Boston and perform at an interesting venue in Portland, ME.
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The fox knows many things in My Stupid Intentions. The beech marten just one.
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Given the overwhelmingly loud and appreciative response from the sold-out crowd, which hung on every note of Leslie Odom, Jr.’s diverse and stirring set list, he’s unlikely to forget Groton anytime soon.
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Even when it is well-performed, as it is here, it is unclear whether Noël Coward’s well-constructed comic concoction deserves another theatrical lease on life.
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