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“Bad Things” tries out a lot of ideas, many of them good, but a crisis in identity results in slapdash execution.
In this script, dramatist Martyna Majok has created an opportunity for those who live in (or near) cities to see and hear the struggles of the underclass.
The two vintage works on the program at Jacob’s Pillow demonstrated, in a palpable manner, to what extent Martha Graham’s work changed everything.
Languid sameness dominated the Wang concert at times, though the acoustic strings and subtly submerged horns and percussion made the sonic scope of Sigur Rós’ music more delicate and human.
Billed as a queer woman’s spin on “The Shining,” “Bad Things” is a much more entertaining film in concept than it is in execution.
The fact is that “Love in Taipei”’s appeal principally lies in Taipei itself: the film doubles as an extended advertisement for the city.
In this valuable book, Vincent Schiraldi firmly establishes that the people currently on parole or probation – as well as the community at large – would be better off and safer if both systems were to disappear.
Despite its depressing worldview, “Werckmeister Harmonies” is an exhilarating work of art, full of moments of grace, beauty, and even humor.
This enormously talented company delivered a total assault on the senses at Jacob’s Pillow.
Perhaps what’s most fascinating here is proof that Brenda Withers’ play has an evergreen quality to it. “The Ding Dongs” may prove to be prophetic.
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