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As this duet unfolds, it opens the way to musings about how a bed is a human-sized rectangle on which are projected dreams and nightmares, sexuality and erotic boundaries.
This exhibit is a fair reflection of the museum’s desire to spotlight work by artists who have traditionally been neglected by the museum world.
“Magellan” circles the world and the world circles the drain.
A new year is beginning, so it is as good a time as any to check in with a few actors with Boston roots or performance experience, to explore what it means to pursue the dream of being an actor in 2026.
The members of Dave Douglas’ quartet members are alertly sensitive to each other and unfailingly intelligent in their choices, which makes them fun to hear.
The “Look” of the 2026 Games succeeds at what should be its elemental function — the connection of beauty, athleticism, celebration, and memory.
Yun Ko-eun’s novel is a good, entertaining read that proceeds by a kind of literary Zeno’s Paradox: forever on the verge of some Big Revelation or vague Deeper Meaning without ever actually reaching them.
This week’s poem: Valerie Coulton’s “fifteen lines in February”
Despite an excellent cast, impressive production values, and the thrilling music at its heart, “The Choral” often feels as if it is trying to be several films at once.
Theater Commentary: Live Theater—An Incomparable Art Form
Protecting live theater, along with the other arts that the NEA has supported, is urgent, and it begins, as it did with me, by loving theater, either as a regular member of the audience or as someone onstage or behind the scenes.
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