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Big band leader Arturo O’Farrill points out that “Santiago Brooklyn Santiago” makes a forceful argument that the embargo between Cuba and the United States should be done away with.
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In “Fat Ham,” Black pain and repressed desire are transformed into a celebration of liberation and empowerment — once the villain du jour, the patriarchy, has been dispatched.
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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Less is more in Wes Anderson’s adaptation of Roald Dahl’s “The Wonderful Story of Henry Sugar”.
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The bottom line: the Tedeschi Trucks Band proved that the group, and its hybrid of classic rock, soul, blues, and jazz, could rule on arena stages.
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Dramatist Donald Margulies seems to be putting his hand on the heart of the heartland — as well as taking the pulse of a pair of aging boomers. Read More
This week’s poem: Jiwon Choi’s “The Universe Is All About Pranks”
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The show would have been stronger if more context had been provided, both about women’s lives and the artistic traditions that inspired and influenced artists of the Renaissance.
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What happens when, through unwillingness or incapacity, memory is lost or forsaken? Two documentaries at the CineFest Latino Boston explore some answers.
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Book Review: “American Purgatory” — Prison as a Form of Social Control
“American Purgatory” is the sort of book reactionary politicians and organizations are trying to ban. It’s full of evidence that many of the attitudes and conditions prevalent in this country from its founding were racist, bigoted, even genocidal.
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