Featured
“Swingin’ Live at the Church in Tulsa” is a snapshot of a vibrant octogenarian artist who is still moving forward.
At a time when it seems as if the world is spinning out of control, steeped in anonymous violence, a Jack Taylor novel provides a front and center opportunity to contemplate doing something about the issues in our own backyard.
Here’s a trio of organ trios from a new generation of players indebted, but not chained, to the classic jazz format and style that has been dominant since Jimmy Smith in the ’60s.
Noora Niasari’s personal involvement elevates “Shayda” above melodramatic Lifetime fare: this is a compellingly warm tribute to the Iranian director’s mother.
Rejected in Gluck’s time because it lacked dramatic thrust, today “Écho and Narcissus” proves to be a candy-box of delights.
This exhibit at the Brickbottom Gallery does a good job of capturing the unexpected moments and surprises that we experience in a city.
Flamenco is big, bold, and fully human as it (often) traces the tensions of courtship, indulging in the sensual and the aggressive.
On the occasion of the 160th anniversary of the Emancipation Proclamation, seven Black artists were asked to respond to the theme of emancipation.
Walking a fine line between fiction and documentary, director Sacha Polak has fashioned a film that is achingly real because it evokes life’s unpredictability.
Recent Comments