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Despite several great sets including Jason Isbell and Iris DeMent, Wilco stole its own show at Solid Sound with conceptual aplomb.
“The Devil’s Bath” demands your full engagement; along with its primordial intensity, a great deal of subtle intelligence lies beneath its visceral surface.
This is the first US museum exhibition for Paula Modersohn-Becker, and one of the crucial shows to see in New York this summer.
The debut album of Decoda, the first – and, so far, only – affiliate ensemble of Carnegie Hall, and a disc featuring a trio of works by two mid-century Chicago-based composers, Florence Price and Leo Sowerby.
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Our expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
Some solidly impressive Mozart — aside from the filler, fifteen minutes of mono-dynamic, schlocky medleys.
It really bums me out to tell you that “MaXXXine,” the much awaited final film in the “X” trilogy, is an underwhelming ending to an otherwise interesting nu-slasher series.
Two discs: Jamaican-American musician Jordan Bak celebrates music for the viola and a reconstruction of Charles Martin Loeffler’s abandoned Octet.
Arts Commentary: Record Companies Suing AI — Who Owns Input?
The real action, rest assured, will take place in the counting house, not the courthouse.
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