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By Bill Marx The war over critics-as-bullies is over, but some diehards keep fighting the same old battles to the point of arthritic absurdity, like Lee Marvin and Toshirô Mifune as old and forgotten American and Japanese veterans of WWII slugging it out in the 1968 movie Hell in the Pacific.The latest retread salvo comes…
By Bill Marx For any self-respecting Shavian, the major attraction of Canada’s Shaw Festival is the chance to see first-rate productions of plays by GBS and his contemporaries, especially the opportunity to take in ace stagings of scripts that fall outside of the greatest hits list. But during the `80s a close second was the…
By Caldwell Titcomb The most enterprising program offered by any of our local orchestras in years took place on February 23 when the New England Philharmonic presented a concert at Boston University’s Tsai Performance Center. Founded in 1976, the orchestra is composed of both professional and non-professional musicians, led by Richard Pittman. The evening offered…
By Caldwell Titcomb NEW YORK, NY: Founded in 1971, the Theater Hall of Fame inducted new members at a January 28 ceremony in the Gershwin Theatre. Multiple Tony-winning Tommy Tune officiated at the 37th annual celebration as Master of Ceremonies. Inductees are voted on by the nationwide American Theater Critics Association and living Hall of…
By Gary Schwartz The Rijksmuseum has published the first volume in a series of scholarly catalogues of its collection of Dutch paintings of the 17th century. The two books, one of text and comparative illustrations, the other of color plates, are not only a model of collection catalogues, they are also an unguarded kaleidoscopic self-portrait…
by Bill Marx A recent report from the Boston Foundation helpfully advises that if a small arts group’s vision “either dissipated or lost its resonance with its audience or supporters” the troupe should either die quietly or merge with other struggling companies, apparently so they can vanish in bulk more efficiently. But what about larger…
by Harvey Blume Marcel Duchamp famously tweaked art for being inferior to chess, saying: “From my close contact with artists and chess players I have come to the personal conclusion that while all artists are not chess players, all chess players are artists.” Duchamp backed this opinion up by abandoning art for years to pursue…
By Gary Schwartz Is there or is there not such a thing as “the Dutchman?” My fellow immigrant Princess Maxima thinks there is not, but since she dared express that opinion in public last September, she has been subjected to an ongoing barrage of reprimands. Indeed, since the brief era of Pim Fortuyn, public discourse…
by Peter Walsh “Collective intelligence has no relationship to the stupidity of crowd behavior.” — Pierre Lévy, The Collective Intelligence The day before the New Hampshire primary, I went with a friend to hear George Packer, author of The Assassin’s Gate: America in Iraq, speak at Dartmouth College. I knew George twenty years ago, when…
Just over a month ago, conventional wisdom had it that the long-running Pollock Matter Affair, one of the most contentious art controversies in living memory (see past posts in Arts Fuse and Anonymous Sources), had finally ground to a halt. Oops. As predicted in The Arts Fuse in November, the debate has found some more…
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