Dance
If the creators of Flesh and Bone want to whip upanother trite soap opera, that’s their prerogative. But hush about the “realism.”
I saw the anniversary evening as being about Twyla Tharp’s perennial themes and preoccupations.
Each of the ten or so music-less sections showed us a different way of composing movement.
I missed the trademark orange Dynel wigs and the zany non sequiturs of the past, but Karen Krolak and the crew were still playing with fractured language.
My overall impression of the ballet was of earnest pretension.
The Spellbound Contemporary Ballet performed the U.S. premiere of Le Quattro Stagioni.
Filmmaker Alla Kovgan calls Cunningham 3D a new juncture at the crossroads of dance, cinema, music, visual arts, and 3D technology.
Doug Varone’s strong sense of design, color, and music lends depth and a certain mystery to his dances.
The “treats” being offered throughout Spektrel’s four dances are an eclectic variety of movement, music, and moods.
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