Dance

Dance Review: Bubbles at the Dance Complex

June 23, 2017
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The idea of the project is to cross-fertilize new dance in the two cities (Boston and New York) by presenting choreography in cabaret settings.

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Dance Review: L.A. Dance Project — Dancing All Over the Place

May 24, 2017
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All three pieces delivered eclectic dancing, appealing bodies, unostentatious scenic effects, and trendy but serious music.

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Dance Review: Beth Gill’s Passages

May 16, 2017
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Offering a carefully calibrated, nearly static universe, Beth Gill relies on the audience’s imagination to fill in any question marks

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Dance Review: A Ratmansky Evening at New York City Ballet

May 11, 2017
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Two works by one of the most-in-demand choreographers of our time received powerhouse performances from the New York City Ballet.

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Dance Review: Classical, Three Ways, at Boston Ballet

May 10, 2017
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All of three of these ballets adapted the classical vocabulary and demonstrated that constant evolution is what keeps classicism alive.

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Dance Review: Short Story Long — Boston Ballet’s “The Sleeping Beauty”

May 4, 2017
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This Sleeping Beauty teaches the audience that fussy costumes and wigs and long-winded storytelling are the apex of ballet.

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Dance Review: Maureen Fleming at the ICA — Brilliant Movement

April 28, 2017
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Dancer/choreographer Maureen Fleming’s highly distinctive style of movement is unforgettable.

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Dance Review: Boston Ballet’s “Kylián/ Wings of Wax”

March 26, 2017
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Kylián’s astute choice of musical selections helped gave a structural shape to “Wings of Wax.”

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Book Review: “With Ballet in My Soul” — The Vicissitudes of an Impresario

March 24, 2017
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Eva Maze drops names and paints a heady picture of the high life, but she does so with the disarming charm that permeates most of her memoir.

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Dance Review: Popcorn from BODYTRAFFIC

March 14, 2017
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BODYTRAFFIC seems to be invested in a relentless likeability.

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