Commentary

Fuse Film Commentary: The Decimation of the Independents — Some Solutions

January 30, 2014
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The major film companies must divest themselves of their independent arms (which are anything but independent) and allow a return to the system that was in place for decades until greed and cinematic carpet bagging crushed it.

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Movie Commentary: Handicapping the Oscars

January 17, 2014
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The nominees for Best Picture are a deserving lot, except for “The Wolf of Wall Street,” which is a bloated mess of a movie that is an hour too long .

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CriticIsm Commentary: The Welcome Buccaneers of Arts Criticism

January 13, 2014
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“Criticism will always have the force of the child in the story about the emperor’s new clothes, because there will always be naked emperors who everybody says are wearing today’s Crown Jewels.” — Eric Bentley

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Jazz Review / Commentary: Brian Carpenter’s Ghost Train Orchestra and Some Notes on “Irony”

December 27, 2013
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Brian Carpenter and the Ghost Train Orchestra are not about re-creating either hot jazz from the ’20s or novelty works from the ’30s and ’40s. They’re interested in capturing the spirit that they perceive to be inside these almost-forgotten pieces and using that spirit to make original new music.

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Film Commentary: You Know It When You See It — Desire and “Blue is the Warmest Color”

December 22, 2013
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Without its many steamy lesbian sex interludes tarting up what could otherwise be classified as a routine narrative, would “Blue is the Warmest Color” have garnered so many rave reviews and prizes?

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Film Commentary: A Contrarian View of “12 Years a Slave”

November 17, 2013
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Why haven’t more movies been made about American slavery? Hollywood studio racism is certainly a prime factor; but even for determined anti-racists, there’s also the aesthetic problem of creating a compelling film drama.

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Music Commentary: Capleton’s Redemption Song?

November 14, 2013
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Capleton’s cancellation at Boston’s Hibernian Hall shows that reggae stars can’t easily escape their anti-gay discographies.

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Arts Remembrance: His Soapbox Was The Brillo Box — Arthur Danto, 1/1/1924 –10/25/2013

November 12, 2013
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The late Arthur Danto was open to and appreciative of all sorts of possibilities in art, as other visual arts critics were not.

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Book Review: Julian Assange Trades Hopes and Fears With Cyberpunks

October 25, 2013
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Any book in which the fourth sentence is “The world is not sliding, but galloping into a new transnational dystopia” runs the risk of overstating its case from the get-go.

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Arts Commentary: David Koch, WGBH Trustee — The Real God of Carnage?

October 8, 2013
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The opportunity to protest the presence of Tea Party mega-funder David Koch on the board of WGBH this Wednesday should not be missed by anyone who is interested in preserving the soul (and/or sanity) of public broadcasting.

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