Commentary
Meeting today’s challenge—harnessing the performing arts to prepare the next generation to sustain democracy—requires broader collaboration not only with schools and community partners but among TYA companies themselves.
Protecting live theater, along with the other arts that the NEA has supported, is urgent, and it begins, as it did with me, by loving theater, either as a regular member of the audience or as someone onstage or behind the scenes.
The “Look” of the 2026 Games succeeds at what should be its elemental function — the connection of beauty, athleticism, celebration, and memory.
Onwards for an invaluable poll from a community of critics that gives us a map to an expansive world of jazz to explore — with hints at terra incognita.
This was one of the closest New Jazz Albums contests ever.
Since 2014, the category has been dominated by previously unreleased music, mostly live shots.
While the intent of this category was to prod critics into exploring Latin Jazz, it has been dominated by a small number of artists.
It takes a peculiar combination of talent and luck to win this category. By luck, I mean getting your one-and-only shot at a debut album enough promotion to be recognized.
By far, the hardest part of this job is rounding up voters.
Visual Art Commentary: Silence Is Complicity — Why Museums Must Use Their Voice to Defend Democracy
At a moment when arts and culture, public education, historical memory, and American democracy itself are under coordinated attack, silence is not a neutral posture. It is a decision with consequences.
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