Books
In “Art,” playwright Yasmina Reza uses theater to explore how powerfully we defend our fears and rationalizations.
Certainly part of the power of Tomas Tranströmer’s poetry resides in how, having established a jagged consciousness, he leaves us in between—in a world full of questions that are not easily resolved.
The novel is a brilliant psychological thriller, and several other things as well — a very quiet love story, a narrative of a remarkable friendship between two men, and an exploration of the corruption rampant in Argentine politics in the late 60s and 70s.
An underground academic critic explores the fascinating intersections between the Kardashian sisters’ novel “Dollhouse” and Ibsen’s play “A Doll House.” The more things change …
The essential task of the critic is not to like or dislike the arts or to push bromides, such as to celebrate the “power of reading.” Despite some troublesome modifications, Lionel Trilling carries on the mission of E.A. Poe and Henry James: he articulates the value of the serious act of judgment in a culture hostile to it.
As the year nears its end, time is running out to write at length about some of the new books that gave me pleasure. Thus this quick list of favorites. As usual, my taste runs to prose that’s off-the-beaten-path.
There is no way that The Arts Fuse was going to miss celebrating the 100th birthday of one of the greatest satirists of the 20th century — Irish genius Flann O’Brien.
No doubt too much can be made out of Steve Jobs’s tripped-out youth, but also, too little. Jobs himself said: “Definitely, taking LSD is one of the most important things in my life.” He never recanted when it came to psychedelics, or disowned their influence.
Is it true that if I love my neighbor I can, or will, like myself? This question cuts to the heart of the poems in Heni Cole’s volume “Touch,” and the answer is yes.
Arts Commentary: The Kennedy Center and the Boston Symphony Orchestra — A Tale of Two Crises