Books

Fuse Dispatches: Lessons Drawn — William Kentridge’s “Six Drawing Lessons”

March 23, 2012
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After hearing just the first of William Kentridge’s six Norton Lectures, I have no doubt that this series of “Drawing Lessons” will be one of the most entertaining and enlightening artistic events of 2012.

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Poetry Review: Yves Bonnefoy — A Provocative “Second Simplicity”

March 13, 2012
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This handsome edition of Yves Bonnefoy’s recent poetry and prose in English translation is a stunning presentation of a major poet.

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Theater Review: Freedom for “The Whipping Man”

March 11, 2012
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An unusual and powerful historical drama that looks at the troubled relationship between Jews and freed slaves at the end of The Civil War.

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Book Commentary: Hooked on Phonics? — A Brief Reply to Gary Lutz’s “The Sentence is a Lonely Place”

March 9, 2012
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While sound is certainly important, and language in the proper hands has its own music, syllabic harmonies need not be trumpeted as though they were the foundation of good prose.

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Book Review and Interview: “The Lost History of 1914” — Almost the War That Wasn’t

March 8, 2012
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In his exploration of history, Jack Beatty suggests that World War I, as we know it, was an improbable event.

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Book Review: So You Say You Want a Revolution? “Democratic Enlightenment”

March 6, 2012
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Jonathan I. Israel has written a monumental three-volume history of the Enlightenment, approximately 2500 pages long, not including three lengthy bibliographies. His erudition is fabulous; his range is dizzying.

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Book Review: Celebrating “The Flowers of War”

March 5, 2012
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A strange mix of characters who all have complicated pasts gives rise to a novel that blossoms — exactly as a flower does — into a complex drama that includes several points of view and a wide range of emotions.

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Theater Review: Theatrical Time Machines — Wild Swans and Time of My Life

March 2, 2012
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Both productions play around with chronology in order to show the dark side of history, to unmask convenient illusions of social or personal well-being by juxtaposing the myopia of the past with the payback of the future.

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Theater Interview: Viva August Strindberg — The Great Swedish Modernist

February 29, 2012
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August Strindberg’s work unquestionably has not received the degree of popular acclaim in America that it deserves. It’s a bit mysterious, given that major U.S. playwrights — Eugene O’Neill, Edward Albee, Tennessee Williams — have openly acknowledged their debts to Strindberg.

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Fiction Review: “So There!” — Nicole Louise Reid’s Poetic Chick Lit

February 28, 2012
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“So There!” comes off as a poetic species of chick lit, its female characters desperate to break deadly dull routines, longing for more (not even sure what), but generally expecting the doorway to redemption —- a passage figuratively filled with light in their imaginations -— to be a man.

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