Books
The letters of this protean figure in American musical theater induced in this reader a pleasurable mixture of nostalgia, voyeurism, and insight.
Eoin Higgins’s “Owned” is a provocative take on our shifting politics and the instrumental role the media plays in how the superrich maintain power.
“In Their Names” argues that the best way to help victims of crime is to create circumstances that will diminish the chance that they will become victims again.
Rachel Hadas’s book of prose poems is a set of meditations grounded in a life well lived and much observed, an experimental field for examining the nature of [human] potentialities.
At its best, Mark Twain emerges in this biography as much a live wire as ever: brash, outspoken, and overflowing with exasperating contradictions.
On the hard wooden benches of a jail in Lowell, dialoguing with his street-fighting antagonists, we sense the emergence of organizer Michael Ansara’s strategy for working-class political action.
“The Slip” raises issues of race and entitlement, as well as the malleability of identity, all in one big, sloppy, and occasionally gorgeous package.
Poet Adrienne Rich’s journey serves as a model for meeting the challenge posed for artists and the rest of us today, confronted with the rise of authoritarian forces in America.
There are reassuring lyrics here that suggest that, no matter what terror comes along, our noble charge is to fight to the end, joyously.
Arts Remembrance: Fanny Howe — A Poet for the Spiritually Audacious
Fanny Howe’s writing pursued, as she put it, “bewilderment as a poetics and a politics.”
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