Books

Book Review: “Just Around Midnight” — A Revelatory Look at Race and 1960s Rock and Roll

September 27, 2016
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Why did rock and roll become white? Music critic Jack Hamilton’s extraordinary new book provides a challenging answer.

Book Review: Altamont — Rock’s Worst Day?

September 26, 2016
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As a work of history, a journalistic account, and an astute study of a troubled subculture, Altamont is so engrossing that it almost disarms criticism.

Book Review: “The Girl with the Lower Back Tattoo” — A Mundane Stream of Consciousness

September 16, 2016
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Amy Schumer’s quasi-memoir is composed of stuff that would be better off posted on Facebook.

Book Review: Dangerous Delusional Illusions — “A Cage in Search of a Bird”

September 7, 2016
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An absorbing and disturbing novel that explores the dangerous turns that erotomania can take.

Book Review: “The Last Days of Stalin” — The Death of a Nightmare

August 31, 2016
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Joshua Rubenstein has penned a compact, chilling account of the demise of the Russian tyrant.

Book Review: Homage to Scott Miller — Perceptive Attention Paid to a Lost Pop Genius

August 28, 2016
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Brett Milano approaches his subject with encyclopedic knowledge, a fan’s fervor, and the seasoned music journalist’s skill.

Book Review: “The Hatred of Poetry” — Thinking the Worst About Verse

August 25, 2016
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The Hatred of Poetry claims to explore our culture’s rampant animosity toward the entire art form.

Book Review/Interview: “Listen, Liberal” — What’s the Matter with the Democrats?

August 19, 2016
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Bay Staters, take heed: according to Thomas Frank the problem isn’t just with the Party, but with the reliably blue states as well.

Fuse Book Review: Novelist Jay McInerney — Nimble Chronicler of America’s Upper Class

August 18, 2016
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Jay McInerney’s characters may live on exotic mixed drinks and fine wines, but they still suffer moral dilemmas and have consciences they cannot silence.

Jazz Performance and CD Review / Commentary: Jane Ira Bloom’s “Wild Lines” and “Early Americans”

August 17, 2016
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Exposing the jazz impulses in Emily Dickinson’s poetry is not an agenda for the novice.

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