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Singer Ute Gfrerer’s name should be spread far and wide to anyone — Jewish or not — who is interested in the music of that period, for this is first-rate work that should be heard for generations to come.
Rebecca Newberger Goldstein’s erudition, coupled to her literary skill, makes Plato at the Googleplex inviting and readable without sacrificing complexity.
Director Alejandro Jodorowsky is a fascinating artist, but this rehash of his own Dadaesque style is lurid, stale, and simplistic.
Artist/scholar Elizabeth Lennard has managed to evoke the breadth of Edith Wharton’s life and work in a relatively short and vivid film.
Even by the standards of prog shows, which only get close to mainstream if a Yes or Rush is headlining, these bands were largely from the underground.
The omniscient narrator in Natura Morta is flawlessly neutral, allowing the images, minimal action, and characters’ reactions to the events of this single day in a Roman square to tell the story.
Kris Adams is one of those singers who can do amazing things without ostentatious showiness.
At times, David Thomson’s movie criticism resembles the approach of old-school British critics (the Walter Pater or John Ruskin variety) who didn’t mind occasionally cutting loose from being erudite to waxing lyrical.
Arts Fuse critics select the best in music, film, theater, visual arts, author readings, and dance that’s coming up in the next week.
Women are the dominant force in “Amaluna.” They command the evening’s whirligig of a stage as aerialists, clowns, musicians, dancers, and contortionists.
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