Posts
In this whodunit by Robert Galbraith — the pen name of J.K. Rowling, better known for her Harry Potter books — editors, literary agents and writers play the part of monsters on the loose.
Hudson Warehouse’s production of Shakespeare’s The Winter’s Tale is fast-paced, sad, and occasionally quite funny.
Things are going well with Monadnock Music: before Saturday’s concert kicked off, managing director Christopher Sink announced that the festival had cleared its financial debts as it heads into next year’s 50th anniversary season.
Writer-director Catherine Breillat’s Abuse of Weakness is a fascinating, nicely restrained look at what in retrospect was a parasitic relationship.
It occurred to me that, given the variety of the Metropolitan Opera’s current problems, maybe General Manager Peter Gelb should consider putting this best of all possible Candides on his menu.
Arts Fuse critics select the best in music, film, theater, author readings, and dance that’s coming up in the next week.
At its best, the playful absurdity of Franz West’s work seduces the viewer.
Under relaxed house arrest, Iranian director Jafar Panahi bravely concedes that, at times during his incarceration, he’s worn down, tempted to end it all.
The $3 million American Repertory Theater version of Finding Neverland remains a work in progress, a “tryout” as it has been dubbed, and it feels just like that.
Doug Elkins’ take on Othello is entirely of our era, when domestic abuse is finally a public discussion and a complex story of betrayal can be conveyed with pop culture efficiency.
Recent Comments