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Despite Woody Allen’s recycling of old ideas and plot points, his actors give such strong characterizations that I tossed my skepticism aside and enjoyed the moonlit ride.
Read MoreFrom the start of Get On Up, James Brown’s life is reduced to the plastic clichés of music biography.
Read MoreShahrazad is the latest in Double Edge’s summer spectacles, and with this piece, director and designer Stacy Klein has found the perfect balance between story and visuals.
Read MoreAwe-striking passages of deft realism are easy to find throughout the show. Wholly satisfying paintings, resolved from edge to edge and full of convincing purpose, are not.
Read MoreAt its core, Code Black is about the struggle faced by young physicians who want to remain idealistic in the face of our failing health care system.
Read MoreThe stupendous Fritz Lang retrospective running over the course of this summer at Harvard Film Archive will soon screen two Lang remakes (in America) of films directed by Jean Renoir.
Read MoreJazz buffs know about the Yellowjackets. This is a Grammy-winning band that writes and performs complicated, intricate compositions that cross countless boundaries and thus make them difficult to pigeon-hole.
Read MoreA Hard Day’s Night stands as a landmark in rock history because it exemplifies the Beatles’s joyously innocent starting point — today it delivers an irresistible sonic joy that comes from listening to songs that still rock after fifty years.
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Some listeners are undoubtedly going to dismiss Lese Majesty as a collection of vignettes or motifs, formless for all intents and purposes. That would be a shame.
Read MoreArts Fuse critics select the best in music, film, theater, visual arts, author readings, and dance that’s coming up in the next week.
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