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Out of Sterno punches the same punchline far too often.
This was probably the loudest, rockingest Brian Wilson show I’ve ever seen.
The venerable Priscilla Beach Theatre was in danger of crumbling away — but it has been fully restored and is swinging into a summertime season of musicals.
The great mistake we make as listeners or viewers is passivity. Music deserves and needs our active involvement.
In many ways, Alan Ayckbourn in Intimate Exchanges has concocted the perfect recipe for a company like the Peterborough Players.
“Ballet is only good when it is great,” the legendarily unblinking dance critic Arlene Croce once wrote; whenever I bring that judgement to mind it makes me both swallow hard and sigh softly.
The writing in this novel depends on winks and nods. You’re invited to be in on a big joke, assuming it is one.
Arts Fuse Appreciation: Ornette Coleman’s Horn of Plenty
So there was the Ornette Coleman Quartet, leading off the final side of vinyl with a cut that changed my life, “Lonely Woman.”
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