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More than the threat posed by the ghost, “Presence” is desperately terrified of ambiguity.
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International flamenco artist Omayra Amaya’s upcoming Boston shows represent a moment of both reunion and reflection.
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The publication of “There Is a Deep Brooding in Arkansas” is especially welcome and necessary at this time.
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One of translation’s greatest powers — its ability to take a text out of one historical period, literary tradition, language, and set of conventions and transplant it into another — is a delicate procedure.
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Our expert critics supply a guide to film, visual art, theater, author readings, and music. More offerings will be added as they come in.
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“Enigma” is as unlike the standard sports documentary as a Cybertruck is to a F-150.
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The Rabbis Go South tells the story of a little-known episode in the fight for desegregation: 16 rabbis were invited by Martin Luther King to be part of the 1964 civil rights march in St. Augustine, Florida.
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It is impossible to think that anyone could have been exposed to David Lynch’s work — its generous vision, so far-reaching in its scope, so recognizably rooted in the modern human condition — and not come away changed, haunted, and awed.
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In a production filled with emotional intensity, Audra McDonald delivers a powerhouse portrayal that elevates a somewhat uneven staging.
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The power of cinema persists at the Boston Festival of Films from Iran.
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Arts Feature: Best Movies (With Some Disappointments) of 2025