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In this engaging conversation, Elizabeth Howard speaks with Sonya Chung, the director of Film Forum in New York, about the intersection of film and literature, the relevance of the Oscars, and the impact of independent films.
This week’s poem: Elizabeth Savage’s “The Strong Man Vaguely Seen”
Nash Ensemble’s new album captures much of what makes Claude Debussy’s chamber music so fresh and beloved. Orion Weiss’s Arc III is smart, timely programming, dispatched with insight and care.
It is always a pleasure to see Ibsen on stage, but this production of one of his masterpieces is generally humdrum.
Whether he’s playing in the middle, on the edge, or is just flying out on his own, veteran tenor saxophonist Mark Turner reconfirms on these three new releases that he is still finding his own way.
“V66 is a piece of broadcast history that a lot of people don’t know about. I’m proud to be the person to tell its story.”
Sir Simon Rattle and Bavarian Radio Symphony Orchestra solve the riddle of Gustav Mahler’s Symphony No. 7. The conductor and the London Symphony Orchestra also offer a refreshingly impish, characterful traversal of music by Kurt Weill.
A hero of his times: celebrating Latvian pioneering documentarian Juris Podnieks.
Three engaging and spirited books celebrate Black history, culture, and resilience.
“The Monkey” is a delightful exercise in black humor.
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