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The Arts on the Stamps of the World — April 13

April 13, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Classical CD Reviews: the Nash Ensemble’s Bruch and Carlos Kalmar’s Haydn

April 12, 2017
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A welcome triumph for Hyperion, Bruch, and the Nash Ensemble, but the Oregon Symphony does not do right by Haydn.

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Concert Review: Claudio Monteverdi’s Vespers of 1610 — Exhilaratingly Performed

April 12, 2017
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The fiery excellence of Handel and Haydn Society’s collective effort made Monteverdi’s epic masterpiece sparkle like a star.

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The Arts on the Stamps of the World — April 12

April 12, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Theater Review: “The Who & the What” — And the Why?

April 11, 2017
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The script softens up the issue of patriarchal authoritarianism by plugging it into a family comedy structure.

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Music Commentary: Thoughts on the Boston Symphony Orchestra’s 2017-18 Season

April 11, 2017
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On paper, at least, the upcoming season of the BSO is a bit of a letdown: cautious, unthreatening, comfortable.

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The Arts on the Stamps of the World — April 11

April 11, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Theater Feature: “temping” — A Stage for Virtual Reality

April 10, 2017
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temping is a strange and experimental beast, and I look forward to seeing where this type of interactive experience goes next.

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Music Interview: Danilo Brito — Master of the Choro Mandolin

April 10, 2017
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Danilo Brito was a child prodigy who originally began playing both the mandolin and the four-stringed cavaquinho.

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The Arts on the Stamps of the World — April 10

April 10, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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