Posts
Chances to hear conjunto music in New England are rare; bravo to the Lowell Folk Festival and Rhode Island’s Rhythm and Roots.
An Arts Fuse regular feature: the arts on stamps of the world.
I enjoyed the working-out of all this material, and the beautiful dancers, but I sometimes felt I was back in the consciousness-raising ’60s and ’70s.
With Vibrations: A Sound Experience, Boston CyberArts continued to live up to its demanding mandate — to expand our artistic horizons.
It’s probably unfair, but attending the Flaherty, I kept seeing in my mind the pig Napoleon and his attack dogs in George Orwell’s Animal Farm.
An Arts Fuse regular feature: the arts on stamps of the world.
It is my sad duty to report that an evening which looked so promising was hardly a worthy homage to an important musical figure of the 20th century.
This is a masterful production of Sarah Ruhl’s sparkling update of Commedia dell’arte.
An Arts Fuse regular feature: the arts on stamps of the world.
Dave Hanson’s comic confection, Waiting for Waiting for Godot, is generating plenty of giggles in the back room theater at Club Café.
Classical Music Commentary: Boston’s Lost Opportunity — How the BSO Board Chose Charles Munch over Leonard Bernstein