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If you’ve seen The Wicker Man and/or Hot Fuzz, you may recognize and appreciate the tone of these folk horror underpinnings.
Flat Earth Theatre’s staging of Antigone was filled with strong performances and provocative ideas.
The landscape and architecture are beautifully photographed, but more important are the array of faces and the music of the voices.
A slow-motion road to the silver screen: Spinning Man author George Harrar talks about the journey from page to film.
The talented duo’s ability to impressively converse across a stylistic divide was fascinating.
Despite some storytelling flaws, Unsane is ultimately suspenseful, terrifying, and rather haunting.
A lost opportunity for the developers, arquitectonica, and artist Alexandre da Cunha.
Those who stopped at the top of the Boston Common, at about 1 p.m., witnessed an extraordinary work of performance art.
Pianist Alexander Melnikov has come up with one of the still-young year’s most compelling discs, Deutsche Grammophon releases an aural train wreck.
Film Commentary: Cast in “Chappaquiddick” — An Actor’s Perspective
Chappaquiddick may satisfy some for whom Ted Kennedy was overdue for a comeuppance.
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