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“You can be certain that when the show begins and you hear “Mack the Knife,” the choreography will suggest scenes of slashing and murdering.”
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Throughout the night, CpM music director Jamie Kirsch kept tempos lively and never lost sight of the overarching shape of each of the evening’s big pieces.
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Adrianne Krstansky, a marvelous actress, understandably exhibits signs of the strain of having to carry the entire production on her shoulders.
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What a treat to see choreographers of different generations concentrating on ballet itself and asking the audience to appreciate what ballet can do.
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Arts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
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Dramatist Rajiv Joseph probes the gentle sides of masculinity as well as the intertwined power of beauty and terror.
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Max Bruch’s music is smart, strong, crafty, and, often, quite endearing.
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There are no angels in Mark Rothko’s work: only the ascendancy of glorious color.
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Bob Brookmeyer’s great contribution was to make it seem as though anything is possible — and permissible –in the big band context.
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Dedham native and Boston University graduate Ryan H. Walsh wanted to learn more about the local connections to what he calls his “favorite album of all time.”
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