Posts
Our critic’s twelve favorite classical music performances that he reviewed this past year.
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While the push for diversity in casting is admirable, it’s not enough to resuscitate a script that feels dated, even regressive in its approach to historical storytelling.
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The Barefoot Woman is lyrical but also informative and ethnographic, as much a memoir of a mother as it is of her way of life.
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Armenian cultural history has always been about survival: between Armenians preserving their art within the shifting boundaries of their homeland, and carrying their art beyond the country’s borders.
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Quite properly, Miles Evans evokes rather than mimics his dad’s arrangements on this excellent disc.
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This year’s version – the 48th! – of The Christmas Revels is delightful and refreshing way to bid adieu to a tumultuous 2018.
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Dressed in cream-colored pants, a crisp white shirt, sneakers, and big owlish spectacles with red plastic frames, Twyla Tharp played the professor in the first part of the 90-minute show.
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Septuagenarian, Edwin Ayoung, better known as Crazy, easily carried the rest of the night with his exuberant performance.
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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
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Classical Music Commentary: Best Opera and Vocal Recital Recordings, 2018
A list of the most memorable opera and vocal recital recordings of the year.
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