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But this is an American musical, so political content (and blame for the way things are) must be kept fuzzy, a strategically-calculated myopia.
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The national tour of the smash-hit revival retains much of the charm of the original.
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A talk with Dave Mason, a R&R Hall of Famer who will be performing with Electric Hot Tuna at the Wilbur.
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The Nightingale serves as both a powerful exploration of the past (from the perspective of the exploited) and a gripping vision of resilience in the face of unfathomable hate, greed, and cruelty.
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Chance’s The Big Day beautifully blends authentic passion with superior talent and special guests with star power.
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The Nightingale delivers an indelible vision of inhumanity perpetuated by colonialism and white privilege.
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This Nashvillian has a simple message for America: “You best pull yourself together, or you might never be the same.”
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In this always compelling production, director Carey Perloff decided to bring the uncanny on stage, almost as a sixth character, in the form of composer/musician David Coulter.
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Dumas’ Camille is nothing if not ambitious. Such complexity is seldom found on a summer stage.
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This album lacks the desperation, the immediacy, the sheer power that made Sleater-Kinney essential in its original decade.
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