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Saxophonist Stan Getz knew whom to listen to and whom to borrow from, and the repertoire for the 1961 Village Gate gig was particularly satisfying.
Read MoreThe documentary sees The Family as really just a huge, secretive, and well-funded lobbying firm: separating church and state is for losers.
Read MoreAt its best, Tiny Beautiful Things delves deep into demanding emotional territory without becoming sappy or maudlin.
Read MoreWill Birch’s biography Cruel to Be Kind effortlessly details the six decade career of rocker Nick Lowe.
Read MoreRobert Hunter did as much to shape the sound and influence of the Grateful Dead as guitarist Jerry Garcia did.
Read MoreJake Brennan’s unique blend of humor and horror generates very entertaining stories about some of the most shocking crimes committed by various icons of rock, pop, and punk music.
Read MoreThe latest show from circus troupe The 7 Fingers is both intimate and gasp-inducing.
Read MoreDavid Byrne and the band has clearly made a home out of the Emerson Colonial, working out tweaks in what has evolved into an extremely tight, invigorating show.
Read MoreAs Judy Garland, Renée Zellweger is in a movie that doesn’t match her fine performance.
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Film Reconsideration: The Beats’s “Pull My Daisy” at 60
You can go home again, daddy-o, but you’re not the same person you were the first time around.
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