Posts
The Tedeschi Trucks Band is capping another remarkable year of transition and growth, some of it spurred by tragedy.
Read More
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Read More
Ken Ludwig’s stage version of Murder on the Orient Express is an enjoyable diversion.
Read More
Terry Tempest Williams thinks that we must seize opportunities to save an increasingly endangered world — we don’t have a choice to feel powerless against the forces that seek to exploit and destroy the beauty of life on this planet.
Read More
Octavio Solis’ Quixote Nuevo, is a genial, and very American, riff on Don Quixote.
Read More
“People love a story, they always have, and always will, and stories are an essential ingredient in this folk music revival, which started sometime in the early ’50s.”
Read More
The Boston Philharmonic Youth Orchestra’s first appearance of the season presented canonical selections without a hint of complacency or apathy.
Read More
The Brit-born iteration of mind-expansion music — from Syd Barrett onward — favors clever wordplay and musical accessibility.
Read More
Waves is a plea for mutual understanding, for acts of grace that transcend race, age, gender, and social status.
Read More
Critical Commentary: A Few Thoughts about John Simon
Few critics proclaimed that the emperor was naked as a jaybird with as much savvy panache.
Read More