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No matter his musical surroundings, there is never any doubt that it is Joe Lovano you are hearing.
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It’s Beethoven’s 250th birthday year: reviews of four sets of the complete piano concertos from, respectively, Paul Lewis, Stewart Goodyear, Inon Barnatan, and Stephen Hough.
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The Haim sisters’ third album is their best yet, full of breezy, warm, and masterfully crafted songs.
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Barely beyond his teenage years, MIKE still has a lot to discover about himself and the world. But he seems undaunted by the task, moving through this recording with pride and self-assurance.
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An impressively original release from violinist Lara St. John and pianist Matt Herskowitz; a tremendous Ligeti performance from the Jupiter String Quartet; Justin Badgerow releases a finely curated and played survey of mostly 20th-century solo piano music from Brazil.
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Arca’s first solo foray into pop music is as infectious as it is strange.
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Becoming the Song charts Denise Ho’s political awakening, her transformation from Cantopop icon to human rights activist amidst the backdrop of an increasingly turbulent Hong Kong.
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To the extent that Antiracist Baby helps to define and explain antiracism succinctly, it may be useful for older kids and grown-ups.
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Pianist Thomas Adès proves himself a sympathetic champion of Czech composer Leoš Janáček; it’s not often that a Schumann-Mendelssohn album focuses on the music of Clara and Fanny (rather than Robert and Felix); Jenny Lin’s performances of piano pieces by Philip Glass don’t lack for style or technical command.
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It took more than a century, but Amy Beach’s Piano Quintet has finally got the recording it deserves; it would be hard to beat the all-star line-up featured in The Cave of Wondrous Voice; and ready for some flawless Shostakovich?
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