Posts
The Feast isn’t coherent enough to go toe to toe with modern folk horror heavyweights, but it’s an admirable entry in the canon.
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Two new Chicago-connected releases explore combinations of flute, cello, percussion and more to good effect.
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As it chronicles the rise and fall of the titular Von Dutch brand, the series tries to exploit nostalgia and true crime at the same time.
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For all the sensual lushness of Melissa Broder’s writing, that hard center remains, one where appetite invites awareness, bringing with it pain as well as satiety.
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The Crier’s program pairs three composers one doesn’t always find together. As is likewise the norm with this group and their selections, everything somehow connects – and on multiple levels.
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Boiling Point is as suspenseful a film as anything else I’ve seen this year.
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There are three key words in the title: “music,” “change,” and “everything.” At its best, the series convincingly shows how they are linked. Other times, it embraces too much of one at the expense of the other two.
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Stephen Sondheim was the most influential musical-theater artist of the modern era. His death leaves a permanent hole in the art form and in the hearts of his fans.
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Let’s hope The Sex Lives of College Girls is given a second season because, much like Sex Education, it is a reminder of the value of the real at a time Big Tech and others are trying to pull us into living and loving in the virtual.
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Poetry Review: Writer Alain Mabanckou — Taking Life Both to Heart and in Stride
Take a dive into any of Alain Mabanckou’s works in English — and definitely score a copy of the new translation, As Long As Trees Take Root In the Earth, beautifully crafted and bound. Vive la Poesie!
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