Posts
Brazilian director Anita Rocha Da Silveira’s latest film is a genre-spliced howl of feminine fury in the face of right-wing Christian conservatism.
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Thankfully, there is no melodramatic black-and-white in James Kallembach’s fascinating 36-minute work, first performed at Boston University by the Lorelei Ensemble in 2017.
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“Episode III. The Fall” is the most thematically focused installment in the four-part I Am the Moon saga so far.
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Stewart Brand’s greatest achievement, by far, was the simple act of putting the photograph of the earth as seen from space on the Whole Earth Catalog’s cover.
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The novel’s plot revolves around the many secrets simmering beneath the surface of the lives of the characters, and Bill Littlefield slowly teases them out to connect the disparate voices.
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Once it gets its bearings, Mr. Fullerton, Between the Sheets, tosses and turns its way through the throes of hidden romance, miscommunication, reconciliation and, eventually, heartbreak.
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Four! is one of Hampton Hawes’ most satisfying sessions, for the variety of the repertoire and the quality of the performances.
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Our cup runneth over with tears — at this point, breakup albums may have overstayed their welcome.
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A.B. Yehoshua was anything but a provincial Israeli writer. He was literary giant whose imaginative gift was so striking and diverse that you never knew what he would do next.
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A Remembrance of Theater Artist Paul Dervis: Embracing The Incomprehensible
Personal salutes to theater director, playwright, and critic Paul Dervis, who died at the age of 67 on June 13.
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