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For MOMIX’S performance at Jacob’s Pillow, Moses Pendelton assembled a “greatest hits” selection of sixteen vignettes from the troupe’s oeuvre.
A frenetic, funny, foul-mouthed, and sometimes facile testament to the fact that language matters.
In support of the release of his album “Orgy of the Damned,” Slash is not just touring; he’s putting on a distinctive concert experience with a positive message.
Any aficionado of Brazilian music and jazz will find plenty to be delighted by in these three discs.
“Popular music in America is already so formulated and dumbed-down that the fear of AI making it more trivial is probably beside the point.”
A belated appreciation of one of 2023’s most interesting releases – this Grammy-winning “compendium” may not be a strongly unified work, but its individual parts are eloquent residents of the Place Between classical and jazz.
A relaxed, humane kindness shines through this staging of Shakespeare’s hymn to reconciliation.
The band’s potent, percussive sound was years ahead of its time, as proven by today’s red hot London jazz scene, whose biggest stars are audibly influenced by Cymande.
Tastefully colorful and aesthetically pleasing, stylish as well as minimalist, modern yet richly symbolic, the Look of the Paris 2024 Olympic Games got many things right and a few wrong.
Any survey of new jazz will show the broad range of creation being produced by an extraordinary diversity of musicians. That’s because jazz has spread all around the world, bringing us together in peace (and sometimes even harmony).
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