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It’s easy, and popular, to write director Wes Anderson off as a hipster who offers nothing beyond quirk and the occasional funny line. But his films are really American versions of the French New Wave. by Justin Marble “He redeemed himself.” “Redemption? Sure. But in the end, he’s just another dead rat in a garbage…
Read MoreBy Caldwell Titcomb Jordan Hall in Boston was filled to capacity for the January 8 Celebrity Series recital by pianist Emanuel Ax. Now 60 years old, he has long harbored a reputation as a serious and thoughtful musician.
Read MoreThough the writing in Nothing Was the Same is often beautiful and moving, the memoir failed to fully engage me. Nothing Was the Same by Kay Redfield Jamison, Knopf, 208 pp., $25 by Helen Epstein In 1995, a psychology professor named Kay Redfield Jamison took the unusual step of publishing an article in her local…
Read MoreFilled with great insights, musical and other, Phil Grabsky’s wonderful documentary on Beethoven depicts “a man of huge intellect and huge heart.” In Search of Beethoven, a documentary by Phil Grabsky (UK, 2009, 139 min). At the Museum of Fine Arts, Boston, MA, Wednesday Jan. 13 at 3:05 pm, Thursday January 14 at 5:10 pm.,…
Read MoreBy Helen Epstein “Broken Embraces” at Kendall Square and Embassy Cinemas 1: Pedro Almodovar, one of the most interesting directorial sensibilities of our time, whose films probe our infinite varieties of experience in love and work 2: Penelope Cruz, an original who also incarnates the best of the many movie stars — American and European…
Read MoreFood was front and center in the here and hereafter. A sumptuous feast was in the offing. But what was for dinner in the afterlife? Chasing the whim of what food went with funerary art, after several blind alleys I landed at Oleana, the Inman Square restaurant invented by Ana Sortun, a Norwegian Seattle native.…
Read MoreBy Justin Marble
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Locke’s List for 2025: Notable Operatic Recordings and a Few Non-Operatic Ones