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Miguel Zenón and Catherine Russell digging deep into the Great Puerto Rican and African-American Songbooks, celebrations of Jimi Hendrix, Quincy Jones, and the Third Stream, and an impressive series of CD releases highlight the shortest month of the year.
John Adams’s Chamber Symphony brought out the best in Mr. Lewis as a conductor: it was fun watching him maneuver through the score’s intricate rhythmic patterns and his confidence was reflected by the Ensemble in a brash, involved reading of a far-too-little-heard (in these parts, at least) piece.
A strong month featuring performances from the celebrated Borromeo String Quartet, vocal group A Far Cry, and new music from Sound Icon.
Discovery Ensemble is already the local ensemble to watch for their brilliant programming and energized performances. Now add to that their commitment to educational outreach and Boston’s underserved communities.
Vocalist Dee Dee Bridgewater’s exuberance proved contagious in this performance featuring a remarkable group of jazz all-stars under the genial direction of bassist Christian McBride.
For Langston fails on its own terms, which is to produce a moving, insightful, and in some sense accurate interpretation of the poetry of Langston Hughes.
February is a rich month for film-lovers, filled with screenings of alternative movies and film festivals. There are classics, documentaries, genre films, science fiction, appearances by filmmakers, and cinema from around the world.
American Horror Story: Asylum didn’t skimp on the scary; there’s enough disturbing images per episode to satisfy the most discriminating taste in horror.
George Harrar is not really a mystery or suspense writer, per se. His work is noir and tension-filled, but there is a philosophical and psychological sub-strata that’s more reminiscent of Kafka than Robert Parker.
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