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For the reader who is not already a William Carlos Williams enthusiast, the biography provides a good corrective to the Norton Anthology picture of Williams as the poet of tiny images, of plums and red wheelbarrows and fire engines with big gold letters.
If a few of his tempos, particularly in the opening movement, weren’t among the liveliest on record, there was a gravitas and underlying conviction to Mr. von Dohnányi’s interpretation of “A German Requiem” that were wholly appropriate to the piece and its appearance on a program that was presented during Holy Week.
This CD marks a turning point: a solo effort by Basya Schechter with outstanding back-up by a wide range of musicians that features music based on the Yiddish poetry of Rabbi Abraham Joshua Heschel.
A new Haggadah has recently been published, the “New American Haggadah,” edited by Jonathan Safran Foer and translated by Nathan Englander. It’s getting a lot of attention and some criticism from “elders.” But maybe the Haggadah is beside the point. . .
The decisions William Kentridge makes in his minute to-ings and fro-ings are akin to the decisions a poet makes as she works her measure over and over again.
The world press has announced that a painting of an old man in Woburn Abbey, England, has been newly discovered to be an authentic Rembrandt. Gary Schwartz is incensed that the abbey is practicing such flagrant spin, and that the press feeds it to us so uncritically.
It was, for this listener, an embarrassment of riches, even in this early music town. Both groups gave excellent performances of music written at approximately the same time.
The strength of the poetry is the ambiance it creates. Narrative is almost totally submerged in imagery, which may seem natural enough in verse but often is not the case.
A reprise of Fred Hersch’s Leaves of Grass highlights the key role of Boston’s educational institutions; plus, an abundance of performances celebrating CD releases.
“The O’Briens” is a good sink-your-teeth-into read that explores the capricious nature of destiny with grace and humor and shows great compassion for its characters.
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