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There is so much of a certain kind of violence here — the kind you’ve seen in Tarantino movies before — that it in a sense takes the violence out of violence.
‘Tis the pre-Oscar season, but you might pause for some uncommon documentaries on the arts, sports, or farming. And take in one great revival.
In the first few days of our first visit to China, I was nonetheless unable to keep myself from formulating a hypothesis. In China the distinction between art, artifice and artificiality is not drawn as sharply as it is, at least in principle, in the West.
Several merits distinguish Blue Heron’s concerts, the most salient being the always-gorgeous singing of this pre-eminent Renaissance vocal choir.
Spirits were lifted; those in need of holiday cheer got a massive dose of it. Bravo to The Boston Camerata and to Les Fleurs des Caraïbes.
We should look forward, eagerly, to hearing more lost, or previously issued music, from Jazzhaus. And be grateful to the European public for supporting these concerts and broadcasts.
The new Mingus box set from Mosaic is a treasure trove — jazz lovers should get their hands on one of the 7,500 limited edition copies.
Director Guy Ben-Aharon is on a roll. Working through Israeli Stage and German Stage, he has brought together another smart, compelling foreign play (an American premiere) and a first-rate cast.
“The Friends of Eddie Coyle” was simply too good a movie, perfect, in its way, and the director of “Killing Them Softly” wants to avoid comparison.
Jack Kerouac once said that “On the Road” “was really a story about 2 Catholic buddies roaming the country in search of God,” but the spiritual element of his journey is completely lacking in the film.
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