Tim Jackson
Film critic Roger Ebert was a complicated man and this documentary does a superb job of exploring his different sides, detailing the evolution of his personality over the decades.
Alive Inside, the winner for Best Documentary at the Festival, had the audience gasping and in tears.
Ida proffers a cinematic experience that is austere and mesmerizing.
The clips from both experimental and commercial cinema play well against the interviews from a group directors who are known for pushing boundaries.
Director Alejandro Jodorowsky is a fascinating artist, but this rehash of his own Dadaesque style is lurid, stale, and simplistic.
In Chef, the preparation of delicious food becomes a metaphor for a quest for meaningful life and love.
Two new films take a poetic and fantastical look at the artifice of sensual surfaces to imagine the horrific realities beneath.
Anita Hill’s struggle is an essential piece of modern cultural and political history that remains painfully relevant.
What makes Lars von Trier one of cinema’s most fascinating directors? It is his willingness to pull out the stops in a riotous search to understand his own mind and ask questions about human nature. His films are a quest to find himself.
Director Wes Anderson’s “The Grand Budapest Hotel” presents a frenzied feast of lavish and preposterous set pieces, performances, and tall tales.
Music Commentary: Brian Wilson’s Legacy Thrives — 2026 Reissues Reviewed