Tim Jackson
Anita Hill’s struggle is an essential piece of modern cultural and political history that remains painfully relevant.
What makes Lars von Trier one of cinema’s most fascinating directors? It is his willingness to pull out the stops in a riotous search to understand his own mind and ask questions about human nature. His films are a quest to find himself.
Director Wes Anderson’s “The Grand Budapest Hotel” presents a frenzied feast of lavish and preposterous set pieces, performances, and tall tales.
A trio of superb off Broadway plays explore the complicated faces of love and lust — from the seamy to the sublime.
With all the writing lately on marriage and happiness, and this being Valentine’s Day, and at the risk of being presumptuous, allow me share some accumulated wisdom that allegedly has been gained with age and experience.
Hidden among the screenings at this year’s Reelabilities: Boston Disabilities Film Festival are two strong tales of individuals overcoming incredible odds.
Is “Her” exploring truths about romance and emotional need? Or is this a creepy look into how far we’ve surrendered to the infantilizing embrace of technology?
For many boomers, the film will be a joyous invitation to wallow in déjà vu. For younger generations, it will shine a light on a time when musicians really thought music could change the world.
Despite the influence and the respect Doc Pomus still has in the music community, his name is not as well known to the public as that of some of his contemporaries.
Music Remembrance: February 9th, 1964 — “Hey, You Kids Want Tickets to See the Beatles?”
Arts Fuse writer Tim Jackson recalls the impact of being in the audience of the “Ed Sullivan Show” fifty years ago.
Read More about Music Remembrance: February 9th, 1964 — “Hey, You Kids Want Tickets to See the Beatles?”