We’re in this virtual reality age now, asking new questions about what art is. What has true meaning and what doesn’t?
Five strong contenders: production values are high, the actors excellent, and four are beautifully grounded in their settings –- Norway, Calcutta, and two in Ireland.
I recommend keeping an eye out for this and other animation shows at local, independent theaters and museums. You will be dazzled and amazed.
You may be still catching up on the Academy Award, Golden Globe, People’s Choice, or SAG picks. But this month offers some rare and wonderful treats for film fans of all kinds.
In “Art,” playwright Yasmina Reza uses theater to explore how powerfully we defend our fears and rationalizations.
As in the plays of Harold Pinter, Reza realizes that violence seethes underneath our words; our language betrays our better nature.
“Red” is about creativity and destruction, Apollonian rigor and Dionysian instinct, fathers and sons, love and rejection, life and death.
This month and into February there is a treasure trove of rare treats and great opportunities to see all kinds of film around New England.
“A Dangerous Method” fits neatly into director David Cronenberg’s body of work, which is often obsessed with a body-mind connection.
Director Steve McQueen’s skillful exploration of troubled human behavior and his use of New York as a psychological landscape make “Shame” off-putting to watch, while at the same time it draws us in. We have no moral compass beyond our own attitudes to ambiguous contemporary sexual mores.