Tim Jackson
When you play music onstage with someone over the decades you know what they’re thinking with a single glance.
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Despite the soap opera details, Everybody Knows never becomes implausible.
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The Favourite may be a raucous historical lampoon — but it is a timely one.
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Border memorably skims the border between reality and the supernatural, examining the irreconcilable division between the civilized and the perverse.
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What is distinctive about Jane Gillooly’s superb documentary is its patient unfolding of the history of discrimination in a specific area.
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These are not stodgy actresses, but a diverse of group of women proffering salty temperaments, glowing façades, and the exquisite articulation that reflects decades on the stage.
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Ethan Hawke’s goal as an artist is to connect meaningfully with the world — avoiding artifice is essential in terms of his acting, directing, and writing.
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BlacKkKlansman is a fiery polemic on America’s long history of bigotry and racism, establishing a through-line that leads to the intolerance of the current president.
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A quartet of standout movies, the best of the just ended Provincetown Film Festival.
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This effort is the most ‘Hollywood’ score the BSFO has created yet, a plush musical carpet for The Man Who Laughs’s emotional high and lows.
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