Robert Israel

Theater Review: “A Measure of Normalcy”—Mauled at the Mall

October 27, 2015
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A Measure of Normalcy pays more attention to its many themes than its characterizations..

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Theater Review: “An Audience with Meow Meow”—Blinded by Glitter

October 11, 2015
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Meow Meow milks the audience for applause so often it feels as if we are seated on stools in a dairy barn.

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Visual Arts Interview: Matthew Teitelbaum Takes the Helm at Boston’s MFA

October 6, 2015
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Matthew Teitelbaum, 59, may be among the most reluctant employees the Museum of Fine Arts, Boston has hired.

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Fuse Theater Review: Color Me “Gloucester Blue” — at the GSC

September 21, 2015
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Gloucester Blue is a lively play whose glow is generated by the spirited, tragicomic performances of a cast that obviously delights in performing it.

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Theater Review: “appropriate” — Southern Gothic, Entertainingly Deconstructed

September 19, 2015
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In appropriate, a talented young playwright turns mischievous literary homage into a work of exhilarating entertainment.

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Fuse Theater Review: “GSC”‘s “The Flick” — Lots of Pauses, Pregnant and Otherwise

August 24, 2015
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You should see GSC’s The Flick, but be warned that the drama works in spurts and starts

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Poetry Review: James Tate’s Last Poems — Dense, Daffy, and Original

August 4, 2015
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James Tate remains true to himself. These prose-poems are often stellar, harrowingly distinctive, and worthy of repeat visits.

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Fuse Theater Review: “The New Electric Ballroom” — Life’s Stark But Beautiful Melodies

July 31, 2015
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Like Samuel Beckett, Enda Walsh does not ignore the tenderness that flourishes, often under the duress of absurdity.

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Theater Review: Robert Lepage’s 887 — Speak, Memory

July 22, 2015
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While 887 explores the political, historical, and cultural ramifications of centuries-old racism, Robert Lepage never panders to victim mentality polemics.

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Theater Review: “Out of Sterno” — Absurd to the Point of Distraction

July 4, 2015
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Out of Sterno punches the same punchline far too often.

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