Robert Israel
Milk Like Sugar cries out for dialogue and confrontations that direct us deeper into the conflicts the young women face.
The New York Times columns selected for Think Again are engaging, provocative, maddening, humorous, and insightful.
Via Dolorosa would have been more effective if it had taken the form of a travel essay rather than a performance piece.
A bewitching South African version of Bizet’s opera — performed with a distinctive blend of spunk and sass.
Casa Valentina’s dramatic weight comes from how skillfully the cast explores the tensions that swirl about the subject of who is gay, who is straight, and what is legal.
A Measure of Normalcy pays more attention to its many themes than its characterizations..
Matthew Teitelbaum, 59, may be among the most reluctant employees the Museum of Fine Arts, Boston has hired.
Gloucester Blue is a lively play whose glow is generated by the spirited, tragicomic performances of a cast that obviously delights in performing it.
Arts Commentary: These Goosesteps Don’t Lie — Shakira in El Salvador and the “New Security” Aesthetic