Peter Keough
In this dreamworld, the politics don’t matter. It’s the artfully gruesome spectacle that counts — that and the hackneyed Hollywood storyline about the hardened veteran mentoring the neophyte through an initiation into the harsh realities of the profession.
Transformative narratives shape the documentaries in the 40th annual Wicked Queer Film Festival.
Faith is a very elusive thing in the transcendent “Inside the Yellow Cocoon Shell.”
This year’s Salem Film Fest spotlights the price of being a rebel.
Russian satirist Vladimir Sorokin’s excremental vision triumphs in two new translations.
These films might not often directly address the looming menace of Russia, but the tragic history shared by the countries shadows even their moments of happiness, levity, and hope.
In his latest feature, filmmaker Wim Wenders extols the simple life.
“Drive-Away Dolls” is the worst Coen brother movie ever made.
The plight of refugees is given a fairy-tale treatment in “Io Capitano.”
Screenwriter, film director, and novelist Charlie Kaufman tries to lighten up in “Orion and the Dark”.
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