Peter Keough
Like Truffaut, Spielberg, Gerwig, and other renowned auteurs, director Sean Wang has made a deeply felt, funny film that cogently draws on his experiences as a volatile and angsty adolescent.
A frenetic, funny, foul-mouthed, and sometimes facile testament to the fact that language matters.
Themes of class, race, and artistic appropriation reminiscent of “American Fiction” lurk beneath “Crumb Catcher”‘s generic conventions.
A profound piece of director Chris Wilcha’s life was being disrespected and threatened with extinction. He had to do something. He had to make a documentary about it.
A movie about an amateur theater company’s production of a classic play taps into the universal truth of irremediable and ineluctable loss. And there isn’t a dry eye in the house.
The documentaries “War Game” and “Devo” take up the topic of insurrection, political and cultural.
A trio of films in which certainty and security have been disrupted and people must make the best of what remains.
What have you done to prevent the end of the world? A quartet of documentaries in this year’s Global World Film Festival offer different answers to this nagging question.
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