Paul Robicheau
The sheepishly affable Trey Anastasio wisely focused on music, allowing him to play a broader representation of his repertoire across two hours and 25 minutes.
Timelines bounce a bit through the loosely organized, vignette-rooted book, where the back half casually weaves through a checklist of characters and tales not to be missed.
A unique, memorable summit of three intellectually minded luminaries who bridged jazz, classical, Latin and South Asian influences.
The singer/guitarist rolls the dice every night, playing it loose and gritty with drummer Patrick Keeler, bassist Dominic Davis, and keyboardist Bobby Emmett, who deftly hack away at revolving song choices from White’s broad catalog and beyond.
The resolute British singer/actress survived addiction, homelessness, cancer and Covid, which left her in a coma before she completed work on her final album in 2021.
Jesus Lizard remains one of rock’s most fearsome combos, and this night the veteran band delivered one of 2024’s most memorable shows.
“Joni Mitchell Archives Vol. 4” is rich in what too many box sets skimp on: a wide-ranging spread of live recordings. In this case, they demonstrate how Mitchell’s songs evolved on stage as well as in the studio, documenting a genius at work.
Now, at least through mid-December, bassist Tony Levin – also a prolific photographer and blogger on tour — remains happy recasting King Crimson dreams each night with Beat
Saturday’s finale of a two-night Roadrunner stand, the Dresden Dolls’ first Boston shows since 2017, raged as a celebration of camaraderie and catharsis.
Most of the night’s visually tilted action took place within a tightly framed stage that made the presentation seem somewhat detached.
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