Paul Robicheau
Despite several great sets including Jason Isbell and Iris DeMent, Wilco stole its own show at Solid Sound with conceptual aplomb.
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Four players bridged divergent worlds and styles from bluegrass and jazz to Indian and Western classical music while taking virtually no time to lock in together.
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Boston Calling has evolved into a smorgasbord of everything from indie to mainstream, from pop to hip-hop to hard rock.
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Umphrey’s McGee’s Um Bowl was an exhaustive two-night series for non-diehards but rollercoaster nirvana for the initiated.
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Saturday night’s advertised performers paid robust homage to the late Gary Smith — the Fort Apache Studios owner, producer, and band manager — across three and a half hours at the Somerville Theatre.
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“The Past is Still Alive” hones Alynda Segarra’s songs to an accessible Americana that allows their travelogue-tinged tales to nestle in ways both literal and metaphorical. It’s one of the best records of the nascent new year.
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Cat Power transformed Dylan’s songs across a 90-minute set that appeared organically studied, slightly unsettled, and ultimately sublime, as the singer rode the arc from a shadowy “She Belongs to Me” to an exultant “Like a Rolling Stone.”
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The set impressed in its diversity, boosted by the cohesive breadth of “What Now,” even as its homages grew overt in the second half.
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O Positive and Three Colors will reunite at the Paradise Rock Club this Friday for “With a Little Help from My Friends: a Benefit Concert for a Friend in Need.”
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The godfather of Boston punk drew a who’s who of local rock history to a new music club on Cape Ann.
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