Paul Robicheau
Saturday’s finale of a two-night Roadrunner stand, the Dresden Dolls’ first Boston shows since 2017, raged as a celebration of camaraderie and catharsis.
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Most of the night’s visually tilted action took place within a tightly framed stage that made the presentation seem somewhat detached.
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Despite some hiatuses and a non-lasting change in the guitar slot, X has amazingly soldiered on for four decades since its 1977 formation and 1980-1984 heyday to remain standing with its original lineup.
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Many of PJ Harvey’s fans at MGM came for a challenging ride, and the performer gave it to them with a stunning show.
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At the Leader Bank Pavilion, Perry Farrell was tackled after he pushed and punched guitarist Dave Navarro, abruptly ending the show a few songs early and putting the reunion tour of Jane’s Addiction’s original lineup in limbo.
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Goose’s three nights seemed a bit hit-and-miss, which is not unusual for jam-bands, although that only made highpoints more exhilarating.
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The band’s performance at the Sinclair proved that the Chameleons are back in vintage form.
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Despite the charges of some purists, jazz was alive in the hands of a few veterans at Newport Jazz 2024, as well as newcomers sharing their own voices in the tradition.
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The Newport Folk Festival always pulls off unique, unexpected collaborations, while it embraces a head-spinning lineup of diverse genres that reflects its spirit of community.
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It was a winding, ultimately exhilarating trip that spanned 51 songs, culminating on Sunday in a virtuosic clinic that sealed the quartet’s near-telepathic interplay across prog-leaning classics.
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