Melissa Rodman
Mint Theater Company’s choice to revive Days to Come is more intriguing than Lillian Hellman’s muddled play.
This novel’s greatest strength is its frank character sketch of Majella. The protagonist is sharply rendered through her observational, sensory navigation of the people and doings in the fictional Northern Ireland town, of Aghybogey.
It should be no surprise that Sawyer seeks and finds new sounds on Less Than More Than. The EP is a deep dive into synth-driven pop that expands on the band’s philosophy.
The script is not a conventional history of women’s suffrage: dramatic Jean Ann Douglass mobilizes satire, sexuality, suffering, and sarcasm.
Beneficence is a novel that lingers, tucking details into its heavy folds.
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