Matt Hanson
The all-too-human propensity for not only telling yourself what you want to hear but taking what you see at face value is what drives the action.
Erich Maria Remarque’s 1929 novel of an ordinary soldier’s life in the trenches of WWI remains shocking and shattering today.
With the release of “Wild God,” his stirring 18th studio album, it seems as if the charismatic poète maudit has achieved, and more impressively maintained, his own version of peace.
If the show had its format tweaked a little bit, it might hit a sweet spot: somewhere between “The Daily Show”’s investigative reports and Conan O’Brien’s zanier segments.
Gary Clark Jr.’s “JPEG RAW” could be seen as an orchard whose far-reaching sonic branches — nurtured by the rich, fertile, and ancient soil of the blues — stretch into jazz, hip hop, and funk.
“Yoshimi Battles the Pink Robots” was the only record of the Flaming Lips that I knew in any real depth; it turns out that the band’s live show was heartwarming, a buoyant and visually exuberant experience.
Cindy Lee’s “Diamond Jubilee” is nothing if not immersed in its own inner world. That’s part of its complexity, its strength, and its beauty.
This brilliant novel is not only out to subvert narrative expectations, but to undercut the act of reading itself.
Don’t underestimate the elemental power of a story that takes the reader inside the mind and heart of a good and decent man caught in a helpless situation.
The group’s first record of new material in well over a decade, “Hackney Diamonds” isn’t quite a bad Rolling Stones record but it’s decidedly not a good one.
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