Lauren Kaufmann
At 90, Boston’s ICA revisits nine decades of boundary-pushing art, institutional reinvention, and a willingness to take risks.
In “A Dead White,” Wendy S. Walters blends memoir and cultural history to question the ubiquity—and presumed innocence—of white paint.
The MFA exhibition brings viewers close to the remarkable printed books in which Spanish modernists and French writers fused art and literature.
Constantine Manos’s bicentennial-era photographs capture a city divided, resilient, and still recognizable half a century later.
A Provincetown exhibition pairs data and aesthetics to reveal how artists and scientists alike are driven to understand—and protect—the ocean’s shifting world.
An MFA exhibition traces how Amsterdam’s Jewish community shaped the artist’s imagination, revealing a rich interplay of daily life, biblical narrative, and cultural exchange.
At Project Save, thirty black-and-white photographs capture the tenderness, turmoil, and enduring spirit of the Armenian experience.
Jubilant collages, TV motifs, and immersive rooms celebrate 25 years of Black artist Derrick Adams’s inventive practice.
In light of our current government, the show provides inspiration from the past, and it serves as an invaluable reminder that democracy has never been static, but ever evolving.
Overall, the exhibit offers a fascinating look at photography’s potential to pose challenging questions about who we are, how we are perceived, and how we can alter our self-image to interrogate our own sense of identit
Arts Commentary: What Historical Fiction Can Teach Us About America