Jonathan Blumhofer

CD Reviews: Orchestral Music by Mason Bates — A Welcome Addition to the Canon.

December 16, 2016
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Mason Bates’ music isn’t afraid to smile. If it doesn’t always run deep, it’s at least always engaging and pleasant to encounter.

Classical CD Reviews: Mitsuko Uchida plays Mozart, Seong-Jin Cho plays Chopin, and Hans Gal’s Piano Concerto

December 15, 2016
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Among the three CDs reviewed is a particular treat — a new recording that really, truly matters.

Arts Commentary: Music for Times of Trouble

November 14, 2016
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I’ve been most impressed by the manner in which these composers, in these works, took strong moral and/or political stands.

Concert Review: Berlin Philharmonic Orchestra at Symphony Hall

November 13, 2016
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The biggest musical takeaway was the sheer brilliance of the Berlin Philharmonic Orchestra’s playing, which is the gold standard.

Concert Review: Thomas Adès conducts Britten, Sibelius, and Adès

November 7, 2016
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These BSO concerts, conducted by Thomas Adès, were the culminating event in his impressive first season.

Concert Review: Grand Harmonie’s Gods and Mortals

November 7, 2016
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GH’s best playing of the day was edgy: a little rough around the edges, yes, but still punchy and vibrant.

Concert Preview: Grand Harmonie’s “Gods and Mortals”

November 4, 2016
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“Playing these standard pieces on period instruments is a little bit like reading a novel or poem in its original language.”

CD Reviews: Tchaikovsky’s Symphony no. 1 and Mozart Violin Concertos plus Wagner Overtures & Preludes

October 26, 2016
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For recorded sound, for brilliance of orchestral execution, and for interpretive concept, Janowski is one of the 21st century’s best Wagnerians.

Concert Review: Boston Philharmonic plays Auerbach, Rachmaninoff, and Tchaikovsky

October 24, 2016
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Conductor Benjamin Zander and his band were at their collective best performing Tchaikovsky’s Symphony no. 6.

Book Review: The Joy and Glory of Virgil Thomson’s “The State of Music & Other Writings”

October 12, 2016
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The Library of America volumes of Virgil Thomson’s writings will help reestablish him as one of the 20th century’s preeminent musical scribes.

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