Jeremy Ray Jewell

Book Review: “Cuba: An American History” — Inextricably Linked, for Better and Worse

February 16, 2022
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As we hopefully continue to reevaluate our relationship with Cuba, this masterful history should prove an invaluable asset for us all.

Book Review: “Home Reading Service” — Beyond Empty Words

January 19, 2022
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In Home Reading Service the literary and the illiterate rub shoulders, and we are given a vision of people tentatively emerging from behind walls.

Country Album Review: Tennessee Ernie Ford’s “Classic Trio Albums” — The Voice Alone

December 20, 2021
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What makes these two albums stand apart? They are content to showcase the elemental power of Tennessee Ernie Ford’s voice.

Cultural Commentary: Goodbye Columbus — Mexico City’s “La Joven de Amajac” and “Tlalli” Sculptures

October 24, 2021
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Mexico City settles on Columbus’ replacement, but finds that removal and substitution is agonizing in society which hasn’t changed all that much.

Album Review: Juan Cirerol’s “Punk Feeling” — Mexicali’s Poet of Poverty Returns

July 5, 2021
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Jaun Cirerol has been accused of idealizing desperation. He disagrees. “I am well-anchored,” he responds.

Book Review: “Canceling Comedians While the World Burns” — The Case for Comediansplaining

June 22, 2021
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‘Lived experience’ doesn’t automatically confer moral or political insight, argues social critic Ben Burgis, but if we can make others laugh at that assumption we might be getting somewhere.

Book Review: “Robert E. Lee and Me” — An Incomplete Reckoning

May 16, 2021
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This is a noble effort to reconcile with the Southern past — but are suggested changes in nomenclature — rather than statements of moral and political clarity — good enough?

Cultural Commentary: “Dogefather” Elon Musk on SNL – Banking on the Irony of the Rich

May 9, 2021
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“Fate loves irony” opines the billionaire. Will we be in on the joke, or left out in the cold?

Film Commentary: “Minari” — An Immigrant Tale with a Southern Accent

April 28, 2021
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Minari is about the triumph of folkways, both Ozark and Korean.

Country Music CD Review: “We Shall All Be Reunited: The Bristol Sessions, 1927 & 1928” — Revising Musical History

December 30, 2020
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Producer Ted Olson is on a mission in We Shall Be Reunited to do justice to the past; he imagines a beautiful alternative to the current ballyhooed origin story of country music.

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