Jason M. Rubin
From the start, “Either/Orchestra” was a nice pun but, with Russ Gershon at the helm, the arrangements were never this or that, but rather this and that.
While one hopes that never-before-released live shows are found and released, it is nice to revisit the start of Brian’s Wilson’s second-chance career.
I am grateful that Al Jardine (at 82, he’s showing signs of age) and Brian Wilson’s band are still bringing Wilson’s brilliant legacy to audiences.
Brian Wilson’s clear falsetto voice may be stilled but his amazing trove of timeless music lives on.
An invaluable way to see live music: one that provides funds to artists who really need it and to the smaller venues that not only deserve support but that also drive business in the local community.
Here’s hoping that Adam Sherman and Robin Lane remain a creative item and continue to write and record new material. Both are in late-career resurgences and have devoted fans that fill the smaller clubs they typically perform in to the brim.
You can get away with being familiar with just an album or two, but Laura Nyro’s music always rewards repeated listenings, and following her mercurial career so thoroughly restores her to three-dimensional life.
Just weeks apart, two different groups have made their way to Boston on international tours – without Robert Fripp but with his blessing – their shows focusing on a specific era of King Crimson’s existence.
Juventas’s commitment to classical music in the present tense makes it the only professional ensemble of its kind devoted specifically to the music of emerging composers.
Arts Appreciation: Ozzy Osbourne — A Pioneer of Heavy Metal Left on His Own Terms
It would be hard to name another successful artist so passionately demeaned by the music press.
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